to my dearest father


Watercolors, Cyanotypes, Cyanotype on Fabric, Objects
2014


During her residency at ISCP in 2014, Hurth has been investigating early cyanotypes, focusing on the figure of Anna Atkins, who produced the first book photographically illustrated. In Hurth’s studio, the first synthetic color became a quest, together with instruments that measure the hues of the sky, a replica of Talbot’s printing establishment, and other words and objects that take their origin through several encounters in the archives of the Metropolitan Museum of Art, the Smithsonian Institute Archives, the International Center of Photography and the private collection of Hans Kraus Jr.

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