In her solo exhibition the viewing at the same in perspective,
Dominique Hurth investigates the possible narrative enclosed in a
particular form in space. From the oscillation of perspectives
offered by a viewing device that manually shifted from a paper
sketch from the 1930s into a three-dimensional replica, she
questions the multiplication of images given by the sculpture, and
the autonomy of the displayed artefact in relation to its caption.
Avant-gardist iconography and modernist exhibition displays by architect and designer Herbert Bayer are being actualised by the passing of a form into the reader’s eye: the investigation in words (text and material) of the grey area behind the reference.
Avant-gardist iconography and modernist exhibition displays by architect and designer Herbert Bayer are being actualised by the passing of a form into the reader’s eye: the investigation in words (text and material) of the grey area behind the reference.
drawing (inclusive picture of all possibilities)
2010
mdf, wooden beams
275 x 275 x 275cm
Installation Views:
Jan Van Eyck Academie, Maastricht (NL), 2010; BLOC Projects, Sheffield (UK), 2011
2010
mdf, wooden beams
275 x 275 x 275cm
Installation Views:
Jan Van Eyck Academie, Maastricht (NL), 2010; BLOC Projects, Sheffield (UK), 2011
